The Abbey Road Medley

The Abbey Road Medley is a multi-part song by the English rock band The Beatles from their 1969 album Abbey Road consisting of You Never Give Me Your Money, Sun King, Mean Mr. Mustard, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, The End and Her Majesty.

History
Side two of Abbey Road contains a 16-minute medley of eight short songs, recorded over July and August of 1969 and blended into a suite by Paul McCartney and George Martin. Some songs were written and originally recorded in demo form during sessions for The White Album and Get Back / Let It Be, which later appeared on Anthology 3. While the idea for the medley was McCartney's, Martin claims credit for some structure, adding he "wanted to get John and Paul to think more seriously about their music". The first track recorded for the medley was the opening number You Never Give Me Your Money. McCartney has claimed that the band's dispute over Allen Klein and what McCartney viewed as Klein's empty promises were the inspiration for the song's lyrics. However MacDonald doubts this, given that the backing track, recorded on May 6 at Olympic Studios, predated the worst altercations between Klein and McCartney. The track is a suite of varying styles, ranging from a piano-led ballad at the start to arpeggio guitars at the end. Both George Harrison and John Lennon provided guitar solos with Lennon playing the solos at the end of the track.

This song transitions into Lennon's Sun King which, like Because, showcases Lennon, McCartney and Harrison's triple-tracked harmonies. Following it are Lennon's Mean Mr. Mustard, written during the Beatles' 1968 trip to India, and Polythene Pam. These in turn are followed by four McCartney songs, She Came In Through the Bathroom Window; written after a fan entered McCartney's residence via his bathroom window, Golden Slumbers; based on Thomas Dekker's 17th-century poem set to new music, Carry That Weight; reprising elements from You Never Give Me Your Money, and featuring chorus vocals from all four Beatles and closing with The End.

The End features Ringo Starr's only drum solo in the Beatles' catalog, the drums are mixed across two tracks in "true stereo", unlike most releases at that time where they were hard panned left or right. Fifty-four seconds into the song are 18 bars of lead guitar; the first two bars are played by McCartney, the second two by Harrison and the third two by Lennon and the sequence is repeated two more times. Harrison suggested the idea of a guitar solo in the track, Lennon decided they should trade solos and McCartney elected to go first. The solos were cut live against the existing backing track in one take. Immediately after Lennon's third and final solo, the piano chords of the final part of the song begin. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make". This section was taped separately from the first and required the piano to be re-recorded by McCartney, which was done on August 18. An alternative version of the song, with Harrison's lead guitar solo played against McCartney's and Starr's drum solo heard in the background, appears on the Anthology 3 album and the 2012 digital-only compilation album Tomorrow Never Knows.